EARTH.SUPPLY

Art Director / Artist
info@earth.supply
@earth.supply


My work takes into account the innate spiritual elements of art to authentically convey an artist's self-actualized nature. Through covering hundreds of events in various states + countries + languages, this exercise has become a delicate exploration of the dance between self & other. (b.1998)

Selected Clients: A.G. Cook, AEG Presents, Alice Phoebe Lou, Ashnikko, Cannons, Crumb, Denver Techno, Duran Duran, Flying Lotus, French Kiwi Juice, Hiatus Kaiyote, HorsegiirL, Ice Cube, Milk & Honey, Mother Mother, Prodigy Artists, Starjunk95, Sony Music Entertainment, Team Leisurely, The Head & The Heart, Three Six Zero, Universal Music Group

CV
Project Index 012
006

[01:21:46]
[3840 x 2160]



PROF: RED ROCKS
04/26/25

 Project Management
 Multi-cam
 Full Set Recording
 Editing
 Color Grading

Pop Rap, Hardcore Hip Hop, Trap
Minneapolis based rapper Prof has been working his entire career towards a Red Rocks headlining set. Over the last 20 years, he has built a reputation as a fantastic live performer known for high energy and unpredictable live sets. We approached this set by emphasizing the DIY aspects of his persona alongside aerials to showcase unmatched audience engagement. 

Client: Stophouse Group

Project Management (earth.supply), Lead Videographer (Will Robinson), Camera Op (Zach Lafaro), Camera Op (Luke D’Agostino)


[02:11:13]
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PORTER ROBINSON
10/16/24

 Project Management
 Multi-cam
 Full Set Recording 
 Editing
 Color Grading

Indietronica, Electropop, Pop Rock
Porter Robinson's most recent album release SMILE! :D (2024) was a sharp detour from his past discography leaning into more anime & pop rock aesthetics. The SMILE! :D world tour presented itself as a long-form film taking listeners through different eras of Porter’s career. In this project we were tasked to capture the environmental aspects of the set design and transitory visual environments.

This set was used for archival purposes by Slush Management & is not publicly available

Client: Slush Management
 
Project Manager (earth.supply), Lead Videographer (Will Robinson), Camera Op (Luke D’Agostino)


[01:23:27]
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ASHNIKKO
10/29/24

 Project Management
 Multi-cam
 Full Set Recording 
 Editing
 Color Grading

Pop Rap, Trap
The ‘Weedkiller’ album cycle was a commentary on environmental degradation and the rapid evolution of an invasive technology that feeds on organic matter. Ashnikko’s live Red Rocks set took this concept to its theoretical limit, displaying a complicated and vast on-stage world that evolved throughout the live show.

Client: Various Artist Management

Project Management + Multi-cam (earth.supply), Chloe Barkley (Photo)


[03:42]
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ZACH WILLIAMS
10/27/25

 Project Management
 Multi-cam
 Full Set Recording 
 Editing
 Color Grading

Folk Rock, Christian Rock
With a shoulder season slot late into 2025, Zach Williams’s Red Rocks set was an extended commentary on his past experiences with substance abuse and deep rooted spiritual convictions. The environment at Red Rocks presented low hanging clouds + rain creating a lighting environment filled with hailations and angelic lighting.

Client: Sony Music Ent.

Project Management (earth.supply), Lead Videographer (Will Robinson), Camera Op (Zach Lafaro), Camera Op (Luke D’Agostino)

[FOOTAGE DROP]
  [3840 x 2160]


JKYL & HYDE
10/25/25

 Color Grading
Multi-cam
 Project Management
 Social Media

Brostep, Riddim
It’s spooky season in Denver at the National Western Complex where Jkyl & Hyde leaned into his literary name, crafting a heavy hitting Riddim set. The concrete and brutalist external stage environment created a perfect backdrop to this bass heavy set.

Project Management & Lead Videographer (earth.supply), Camera Op (Zach Lafaro), Camera Op (Luke D’Agostino)


[FOOTAGE DROP]
  [3840 x 2160]


DILLON FRANCIS
11/01/25

 Color Grading
Multi-cam
 Project Management 
 Social Media

Trap [EDM]
Dillon Francis had one of the strangest intros I saw in 2025, where he stripped down to his underwear (in 45 degree weather) and was introduced by legendary rapper Snoop Dogg. The live set consisted of mainstream bangers highlighting his years of electronic music production. 

Project Management & Lead Videographer (earth.supply), Camera Op (Zach Lafaro)



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